IMG_3906.jpg
IMG_5497.jpg (Copy) (Copy) (Copy) (Copy) (Copy)
Gillian Lowry Invite Front (2).jpg (Copy) (Copy) (Copy) (Copy) (Copy)
IMG_5498.jpg (Copy) (Copy) (Copy) (Copy) (Copy)
The Owl Pen Revisited Prints by Gillian Lowry Orillia Museum of Art & History.png (Copy) (Copy) (Copy) (Copy) (Copy)
Gillian Lowry Invite Back (2).jpg (Copy) (Copy) (Copy) (Copy) (Copy)
IMG_3906.jpg
IMG_5497.jpg (Copy) (Copy) (Copy) (Copy) (Copy)
Gillian Lowry Invite Front (2).jpg (Copy) (Copy) (Copy) (Copy) (Copy)
IMG_5498.jpg (Copy) (Copy) (Copy) (Copy) (Copy)
The Owl Pen Revisited Prints by Gillian Lowry Orillia Museum of Art & History.png (Copy) (Copy) (Copy) (Copy) (Copy)
Gillian Lowry Invite Back (2).jpg (Copy) (Copy) (Copy) (Copy) (Copy)

Hatchets by Elizabeth Wyn Wood

CA$325.00

At Janet Clark’s house we discussed her relationship with Oille. Janet’s mother and Lucille were close, and Janet had gone with her mother to The Owl Pen often as a child. Janet has thoroughly kept track of her collectibles, and has various honey pots, artworks and photographs related to The Owl Pen- she also has a sculpture made by the artist Elizabeth Wyn Wood, who is originally from Orillia. Elizabeth Wyn Wood married Emmanuel Hahn, who coincidentally was one of Oille’s professors at The Ontario College of Art.

This image is 8×10 inches and comes framed, please inquire for an unframed copy.

Handprinted with black archival oil based ink on 44g white Kozuke paper.

As seen in The Owl Pen Revisited print show at Orillia Museum of Art and History.

At Janet Clark’s house we discussed her relationship with Oille. Janet’s mother and Lucille were close, and Janet had gone with her mother to The Owl Pen often as a child. Janet has thoroughly kept track of her collectibles, and has various honey pots, artworks and photographs related to The Owl Pen- she also has a sculpture made by the artist Elizabeth Wyn Wood, who is originally from Orillia. Elizabeth Wyn Wood married Emmanuel Hahn, who coincidentally was one of Oille’s professors at The Ontario College of Art.

This image is 8×10 inches and comes framed, please inquire for an unframed copy.

Handprinted with black archival oil based ink on 44g white Kozuke paper.

As seen in The Owl Pen Revisited print show at Orillia Museum of Art and History.

About Relief Printing: This print was created by carving the image into a block of linoleum, which is a flat material made of flax, pine rosin, wood flour, cork dust and calcium carbonate that is held together with a jute backing. Linocut is also known as lino printing and linoleum art, and is a printmaking technique that is a variation on woodcut, where the piece of linoleum is used to carve into rather than wood. The image is carved into the surface using a gouge (similar to a chisel), with the un-carved areas creating a reversal of the image to be printed. The linoleum is inked with a brayer, and printed onto the paper, either by hand or using a press.

About Kozuke Paper: Kozuke Paper is 30% kozo and 70% sulphite fibres. Kozo is fibre from the inner bark of a mulberry tree, and sulphite fibres are composed of cellulose from wood. 

Shipping: Within Canada, shipping is included. All prints are shipped by expedited shipping with tracking.

Please inquire for orders outside of Canada.